Introducing our talented board and staff

6 Jul

The ACT Writers Centre is fortunate enough to have a fabulous Board at present as well as great staff and a number of project managers and volunteers. Here are their bios:

Chair – Sylvia Alston is a former Public Servant who resigned after 16 years to pursue other, hopefully more interesting career opportunities.  During her time in the Public Service, Sylvia worked in several departments in the area of communications and policy advice. An avid reader, her love of literature has given her an insight into what people like to read.  Sylvia has recently discovered an aptitude for writing and is exploring the use of mainstream fiction to raise awareness of serious issues.  She is drawn to the everyday dramas that affect ordinary people and their ability to cope with difficult, often traumatic, situations. She holds a BA and an MA in Communication (by research) and most recently was awarded a creative PhD by the University of Canberra for her thesis that examined the role of laughter as a means of coping with pain and stress.

Deputy Chair – Ross Hamilton holds accounting qualifications, was more recently an economic statistician, completed a Grad Dip in Professional Writing in 2008, spent 10 years in the banking sector, 15 years in economic statistics and public sector management and assists the Writers Centre with governance, business planning and event management. Ross is also Deputy Chair of the Havelock Housing Association Board of Directors and Secretary of the Canberra Speculative Fiction Guild. Ross anticipates commencing a Masters by Research in Communication during the second half of 2010 at the University of Canberra.

Treasurer – Dane McCormick is Senior Advisor at KPMG. He formerly worked for Industry and Government Relations at Boeing and Defence Australia. He has expertise in bringing new ideas to market.

Secretary – Bob Phillips is a published playwright and author and is also a retired aviation risk analyst. More recently he has become active with the Canberra Speculative Fiction Guild, currently their Treasurer, and he is also the Secretary of the Canberra Wine Club as well as a regular volunteer with the Writers Centre.

General Committee members

Charlotte Harper is a journalist who has worked as a web producer in Canberra, Sydney and Hong Kong.  She is  a former literary editor of The South China Morning Post, and has reviewed books for The Sydney Morning Herald and The Canberra Times. She has also written on technology on and off for 15 years, once edited a mobile phone and gadget magazine, and is the author of a book about digital publishing – Weird Wild Web (Penguin Australia 1999). Charlotte’s blog can be found at www.ebookish.com.au

Peter Hadley resigned from the Australian Public Service in 2008 to become a full-time novelist, publishing his first novel in 2009. He is currently completing his second novel, and is working on a series of ebooks. During his 25 years in the Australian Public Service, he worked mainly in the industry and tourism departments, providing policy advice and managing programs. He was also director of human resources development and head of the audit area in the industry department. He holds a BA in Economic History (UNSW), a Graduate Diploma in Economic History (ANU) and a Master of Management (ANU).

Peter Papathanasiou is an award-winning short story writer. He is currently working to complete his first novel as part of a PhD in Creative Writing at the University of Canberra. He already holds a PhD in biomedical science and a law degree. Pete has worked as a scientist at the Australian National University, Stanford University and New York University, and studied creative writing at The New School in New York. Pete’s goal is to be a career writer who tells honest stories inspired by the nature of the human condition.

John Stokes is a practicing essayist, short-story writer and poet; published in USA, Japan and Australia.  He has won or been shortlisted for many prizes, including, in 2009, the Bauhinia, Blake and Newcastle Prizes for Poetry. He has been a Member of the Board of the Royal Australian Planning Institute, the Burley Griffin Society, the Prime Minister’s Counter-Disaster Task Force, and the Surrey County Arts Funding Committee; and adviser to the Milton Keynes Development Corporation, Queensland Landcare Committee and Murray-Darling Basin Commission.

Giulio Zambon holds a Doctorate in Physics from the University “La Sapienza” of Rome.  He has authored or co-authored several scientific and technical publications, including two IT books.  More recently, he has had two of his short stories published.  Giulio is member of the Society for Scientific Exploration, a professional organisation of scientists and other scholars focused on phenomena that cross traditional scientific boundaries and are inadequately studied within mainstream science.  He brings to the board his experience in a variety of areas, ranging from scientific research to senior management in the Communication and IT industry.

Staff:

Anne-Maree Britton (on LSL until end September) has been the Director for the past 16 years and has 18 years’ experience in all aspects of arts management. She has programmed and hosted nine annual 2- and 3-day writers’ festivals at NLA and other venues, as well as administered up to 40 literary events and workshops every year while managing staff and overseeing projects for Indigenous, multicultural, aged, young writers and writers with disabilities. She has prepared Business Plans, marketing plans and applied for, acquitted, over $1.5m in local, state and federal funding.

Kelli-Anne Moore (Acting Director from 17 July) has been the Office Manager for 2.5 yrs and comes from a book selling background. She has skills in MYOB and office systems as well as a BA in Professional Writing. She also works one day per week at ABaF. She will oversee the Invite-A-writers scheme, the manuscript assessments, the literary awards, sponsorship maintenance, staffing and board liaison.

Elizabeth Howden (acting Office Manager from 17 July). Lizzie is responsible for all incoming bookings, enquiries and payments.

Kimberley Gaal (Communications Officer) has been with the Centre for 3 yrs, initially as Office Manager. She has a BA in Writing and Editing with skills in desktop publishing. She is responsible for all outgoing communications (web, e-news, social networking, media liaison) and recently established New Territory Press design service to assist local writers with designing and self-publishing their pbooks and ebooks.

Project Managers:
Irma Gold – Centenary anthology editor (funded by artsACT grant for 7hrs per week)
Peter Papathanasiou – Science festival co-ordinator (funded by National Science Week for 30 hrs total)
George Wilson – Indigenous writing project (funded by AIATSIS grant for 30 hrs total)

Connecting Up Conference – June 2011

13 Jun

Google apps session

This year’s  Connecting Up conference www.connectingup.org/was held in Melbourne from 1-3 June . Its aim is to assist non-profit organisations to learn about and access new technologies to make their businesses more efficient.

Naturally, social networking and the opportunities to harness it for social good, was high on the agenda. The desire of humans to connect, is not new, but the technology with which they are doing it, is. Around 82% of people over 24 yrs of age, are now on Facebook. If Facebook was a country, it would be the world’s 3rd largest.  Australians are the highest per capita users. Around 80% of users are connecting to the internet by mobile devices. Mobile phones are now being used to purchase items. In the last 12 months, Foursquare had 36 million ‘checkins’.

People expect to be able connect to the internet, to be mobile and to work remotely. We expect fast internet like we used to expect a dial tone. There will be 40 new ‘tablets’ on the market in the next 3 months.

Plenary and breakout sessions were held. Much of what I learned was relevent to the Centre and its  efficiencies, but there were a couple of sessions during which I thought: wow, this is going to be so great for writers!

 One of these was the Google apps session. Google has three main specialities: Search, Apps and Earth & maps. Their Gmail service also allows people to chat. Being based in the cloud and being a subscription rather than licence system, Google apps are always up to date and accessible from anywhere. As Google rep Ravi Shetty said: ‘Sending attachments is so 1990s. These days we ‘share’.’

As writers we can create a document and give our colleagues or editor ‘viewing only’ or ‘editing’ rights. Everyone can work on the document at the same time and see what the other person has added and there is also a comments column in which to chat to each other. You can even rewind and play the ‘corrections’ like a video and stop where you are happy with the changes.

Businesses are moving all their documents into the cloud and sharing sites, calendars, video. There is no more searching in folders – one just does a search for the name of the document. People in remote offices can chat and conference together. If you lose your computer or it dies – you don’t lose your data. You don’t need to buy software licences nor have the same version of a word doc as the person you are sharing with.

Google has a number of services for NFP organisations (google grants) and also offers a Google Chrome OS notebook to students for only $28/month. It only interacts with google search and apps but doesn’t require software.

Some sites of interest are for incorporated groups are:

www.donortec.org/matchit and www.donortec.org for donations of software (possibly now redundant!) and IT expertise

www.onmyway.com.au listing free stuff online and

www.digitalbusiness.gov.au

http://www.connectingup.org/blog/5-technology-challenges-nonprofits-must-address

I’m sure you will notice a few improvements to our own systems over the coming months. With reduced funding, increasing demand and an ever-growing workload, we simply MUST become more efficient to stay relevant to our members.

Anne-Maree Britton

Random snippets on podcasting and the future of writing

29 May

This is a very bitsy collection of things I learned and heard today.

Podcasting session

Myke Bartlett is a veteran podcaster and his audio novels have been downloaded half a million times. Estelle Tang  podcasts at PaperRadio , blogs at www.3000books.com and once had a radio show called Textual Fantasies.

www.podiocast.com has free audio books delivered as podcasts.  www.audacity.sourceforge.net  is free software to allow you to edit recordings and mix audio. The site includes help, downloads, and developer information. One can upload your podcast to itunes and get an account or www.archive.org which is a free host. FeedBurner is a web feed management provider and can keep track of your stats. (Feeds are a way for websites large and small to distribute their content well beyond just visitors using browsers. Feeds permit subscription to regular updates, delivered automatically via a web portal, news reader, or in some cases email. Feeds also make it possible for site content to be packaged into gadgets and mobile devices, and other bite-sized technologies that make it possible to display blogs, podcasts, and major news/sports/weather/whatever headlines just about anywhere.)  There are three steps with podcasts: 1. archive to a host file 2. put link on blog and 3. then feedburner keeps track of what’s on the blog. Jamendo (http://www.jamendo.com/en/) is a free creative commons source of music to accompany/mix with any podcasts.  Magnatune  (www.magnatune.com) is another. Good audio sites to listen to include: Slate’s Culture Gabfest (http://www.slate.com/id/2187916/landing/1/), Paper Radio www.paperradio.net/ (stories that talk) and Entitled Opinions  (french-italian.stanford.edu/opinions/).

Future Writing panel session

Dale Campisi from Arcade Publications said that 75% of books (presumably tree-books) are sold each year in the month leading up to Christmas and that most books are sold as gifts. He also said that writers, as content creators, need to just decide what we want to say and let others worry about how we will deliver that message (e.g podcast, ebook, interpretive dance..).  Arcade have started doing tours around Melbourne to complement the books they publish about these spaces. He says that consumers  buy experiences and that there is room for storytelling in more than books (podcasts, videos, window displays, geospacial overlay on maps etc).

Rebecca Fitzgibbon (journalist)  said that writers are taking on the tasks of publisher, marketer, distributor, social media, commentators. Writers are becoming more technologically qualified and are embedding links and photos and shooting video from iphones etc. More is now expected of writers. They are a brand and are expected to interact with their readers 24/7.

Patrick O’Duffy (games writer, novelist) said that the future of writing was a writer writing alone or writing with a community for a project, but not writing for a publisher. Once upon a time someone else designed your cover, markets your book and prints it – but in the future writers might do all these things.  He said that writers would be used to the following two tasks which may have a new name but are an old concept: crowd sourcing and crowd funding. Crow sourcing is just asking your friends for help and crowd funding is asking for money for your project.

Patrick gave a lot of great tips for people considering raising money for their projects: www.kickstarter.com (the downside to this one is that they take 5% and one needs to have a US bank account); www.indiegogo.com (UK); and www.chipin.com (which passes on your money via Paypal).

With any luck, I shall soon learn how to embed video in a blog also.

Emerging Writer’s Festival 2011

28 May

I’ve come down to Melbourne to attend the EWF this weekend and the Connecting Up Conference next week. While Melbourne may not be as cold as Canberra, it seems to be consistently cloudy these last 3 days and for the previous 6 days I was here earlier this month – so much so that it interferes with wireless internet. Canberra has sunnier days and more trees – but that is where I will leave the interstate rivalry.

 I attended the opening night event, First Word, at Federation Square. When it finally got started an hour after the advertised start time, the presenters were a bit hit and miss, but the hits (Alan Bisset from Scotland, songstress Lou Sanz and the Greek philosopher in the gold leotard) were worth learning how to catch a tram in order to see them.

Greek philosophy

While waiting for the start, I shared a glass of wine with Susan Hayes, the Manager of the Literature Board of the Australia Council. She said they’d had a massive 370 applications in the New Work category this year and the success rate is a low 10%. (So, congratulations Hal Judge for receiving a grant!)

I worked remotely on Writers Centre business on Thursday after discovering that there wasn’t really anything on at the festival that day. This included our fortnightly hour-long Writing Australia teleconference. The next W-A board meeting is to be held in the ACT in late June and we will hosting it. This will include a networking soiree with every literary-related organisation in the ACT as well as some VIPs and politicians.

 The Town Hall Writers’ Conference began this morning with an introduction to the five Ambassadors who are on hand to answer publishing questions over the weekend. They each gave their top  tips that they wished they’d known at the start of their careers.

 And here they are:

 Carmel Bird (novelist)

  1. write every day (at least a page per day)
  2. read a lot, to put your own work in context
  3. listen to your own heart
  4. do not listen to what your lover/friends/family say about your work – they will have an agenda yet be sensitive when dealing with material which comes from real life
  5. learn to deal with rejection
  6. stay focused and optimistic and develop your own area of interest; find the drama
  7. pray…

 Kerry Glastonbury (poet)

  1. poetry (and activities associated with it and grants for it) can actually pay and be a career choice
  2. don’t do it for the money
  3. we are all emerging writers and don’t worry if you don’t ever actually emerge
  4. perhaps consider emerging writers as a wiki -  sharing support and resources – rather than a linear model of development
  5. do it yourself
  6. go to university – not because it is compulsory for your writing but because it allows a space for reflective and for exploring the theory around your practice

Chris Morphew (YA writer)

  1.  do some writing! Reading about writing, attending conferences and festivals; tweeting, talking and texting about writing is NOT writing.
  2. don’t stress about what the market wants
  3. be honest and be yourself and you’ll probably end up being more original than had you really set out to be original
  4. know where you are going in your book (unlike Stephen King who say life is plot-less so stories should be; I think life has meaning and purpose)
  5. share you work with some trusted readers/writers/editors to receive advice that is helpful
  6. when you receive honest feedback, you are bound to disagree with it at some point. When this happens, you don’t have to compromise, you can find the 3rd way through; a new path that can satisfy both writer and the one reviewing your draft.
  7. don’t let writing define who you are  – you are more than your writing. If you write to achieve fame or money, you will never have enough fame, or enough money, to make you happy.

Toby Moore (former publisher and now academic)

  1. have curiosity about life and experiences. Read and educate yourself. To break new ground one must know what the old ground was.
  2. don’t just know about yourself and your mates: cross boundaries, absorb sights, suck up life. Don’t associate with other writers; go so far as to mix as with illiterate people or those that have an oral tradition
  3. at all times practice the lonely craft in order to find your voice.
  4. know your readership and understand the different requirements/expectations of each market that you write for
  5. hone your research and interview skills
  6. develop a public persona that will help you promote yourself and when talking to publishers and the media, at festivals and schools and other speaking opportunities.
  7. don’t be afraid to take risks and create controversy (and this is spoken by the man who published the Chopper Read children’s books) and try to earn a living in an area which allows you to write and practice your writing.

Alan Bisset (Scottish novelist, playwright, performer)

  1. Learn to be a performer: both the reader and the writer need to have fun; you want the audience to come back again or to buy your book
  2. have style and avoid cliché
  3. instead of indulging in structured procrastination, write the thing that needs to be written; write it furtively, like you are a truant, like you simply MUST write it. When it stops being like and becomes just plain hard work, it is time to stop.
  4. the real writing is in the editing. I once wrote 150,000 words over 2 years in order to produce a 65,000 word book. That’s a lot of writing which will never see the light of day (because it’s shite!)
  5. politics is unavoidable – so you may as well stand for something
  6. go funny and then go dark. Make the reader laugh and then kick him in the guts; give them pain and then give them a cuddle. Think American PsychoBrett Easton Ellis can only write that stuff because it is hilarious.

 More updates tomorrow!

Money, money, money

22 Dec

There has been some good news at the end of the year for the ACT Writers Centre.  As well as the announcement about Writing Australia receiving all the money that it applied for, we also received a 10% increase in funding from artsACT for the next 5 year period. Writing Australia is a national organisation currently made up of five of the state writers centres, with more states to join in the future. A national director will be able to deliver national programs across state boundaries, with the assistance of the state writers centre Directors.

The ACT Writers Centre will also auspice a $10,000 grant for the Centenary anthology group, made up of Alan Gould, Marion Halligan, Bob Phillips, Dr Nicole Moore and Claire McHugh from Halstead Press. This will enable the group to employ in 2011 a Project Manager, Irma Gold, to start compiling databases and reading lists for the more than 120 local writers (living and deceased) being considered for inclusion in the celebratory anthology. It is expected that the resulting book will be printed in hard copy as well as ebook format. There are just so many great writers in the ACT or formerly writing in the ACT, that it looks to be a huge project. Funding will be sought in 2011 for the next stage.

We wish all our members and colleagues a happy and safe festive season.

Anne-Maree

Guest blog from Charlotte Harper

17 Sep

Some five million e-ink reader devices were sold worldwide in 2009, and sales are projected to hit 12 million this year. So says Sony, which launched its Readers in Australia this month. Meanwhile, Apple sold some three million iPads worldwide in the first two months after its May launch. So, if you haven’t bought an e-reader, and you’re thinking about it, which one should you buy?

 The 6” Sony Reader Touch ($299) and 5” Pocket ($229) are available from Sony online, at Myer, and Borders and Angus & Robertson.

Like the 6” Kobo (recently discounted to $179 and also available through Borders and A&R), they support several file formats, so users will be able to read books from just about anywhere. This is in contrast to the 6” Kindle, which is only available via Amazon, and only allows downloads of books from the Kindle store. However, both the Kindle ($US189) and the iPad (from $629) offer WiFi and the option of 3G for wireless downloading of content, whereas the Sony Readers, like the Kobo, must be connected to a PC or Mac via a USB cable.

Sony’s Reader, like the new Kindle, uses the latest e-ink technology to emulate the printed page. The grayscale e-ink screen is not backlit, and is thus easier on the eye, less power-hungry than an LCD screen, and readable in direct sunlight.

 The Kindle is sexier than Sony or Kobo, with a more intuitive interface. In fact, it’s so sleek and friendly, you wonder whether they might’ve poached some industrial designer from Apple to create it. Though frustratingly, only the graphite version, and not the white, is available in Australia.

Sony’s Pocket comes in silver, pink or dark blue, has room for around 1200 ebooks, and offers around 10,000 continuous page turns or two weeks per battery charge. The larger Touch model offers the same features but comes in black or red and a built-in audio player.

Unlike the Kindle, but like the 9.7” iPad, the Sony offers a touch screen. The user can turn the page with the touch of a finger, or use the included stylus. This is designed for taking notes or drawing pictures, but will also allow you to collect an author’s autograph in an ebook.

Neither Sony nor the Kobo can match Amazon’s cross-platform syncing (allowing you to put down your iPad or Kindle at home to go shopping, then open the Kindle ebook up on your iPhone in the bank queue, and pick up exactly where you left off), because neither currently offers WiFi or 3G on their dedicated device.

You could always avoid Kindle, Sony and Kobo for now and stick with a smartphone or tablet with Kindle and Kobo apps. Given some Australian publishers have so far signed with one but not the other, having the option of buying from Amazon or Borders/A&R powered by Kobo will ensure access to the broadest range of local titles.

Waiting may be wise, too, given the major players will continue to upgrade their devices at a rapid rate. Indeed, there are rumours Apple is already at work on a 7” iPad Nano, featuring the same dazzlingly crisp retina display as the new iPhone 4. Those who consider the iPad too heavy for dedicated e-reading will be crossing their fingers.

Charlotte Harper is editor of www.ebookish.com.au

www.twitter.com/ebookish

How to obtain a literary agent

5 Sep

Clare Forster is a former editor and now works as an agent at Curtis Brown and had this advice for writers seeking an agent:

  1. in your cover letter, be brief, humble and don’t say you have unusual talent
  2. present your best work and it should be a minimum of a third draft, read by and given feedback from, at least three people, preferably ones  who are unrelated to you
  3. present the agent with a product that will make both you and the agent money
  4. know your genre and your market
  5. follow the correct guidelines and follow them to the letter (www.curtisbrown.com.au/guidelines.asp)
  6. please don’t compare your work to that of another famous author – be humble
  7. agents read the cover or query letter first, then the author bio, then the manuscript. They might read the synopsis and are less interested in the chapter outline.
  8. referrals from current clients make up 80% of their new clients, so networking is the best thing you can do
  9. keep trying
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